- PROLOGUE -

https://www.youtube.com/watch?v=RL_zs66JGSE

The Evolution Writer #1

People always seemed to be waiting for great things to happen for me. It was my words that never failed to draw emotions like a thin dagger drawing blood.


The deeper I wrote, the greater the wound, the longer the scar.



I began writing seriously from year 9, after recognising a great dark beauty in the poems of Edgar Allen Poe. My first few works were re-workings of those spawn by typical teen angst. The words I used were templates of many before me. Looking back, I was a robot, mechanical, souless and shallow. I put it to the fact that I was young and inexperienced. I had to know and feel these things before I can even begin to transpose them, I told myself. I pressed on until these experiences would deign me with their richness, take me on a whirlpool of sensations and wisdom to convert feelings to the human construct of language.

Language often ran away from me. Words could not hold the meaning of my thoughts. I yearned for a unique voice that my readers could recognise as my own. This originality I forced, proactively coerced my lyrics to obey. By the end of year 10 I had produced a rendition of Sylvia Plath's Mirror. Something I had enjoyed writing. Obsessed over when I should not have been. My Sunday Mornings at mass was a mere time of reflection with my inner god. The bread could have been tar dissolving in my mouth but I didn't care. In the exam room, the scratches of specially selected inkjoys muted in my head, a layer of harmless white noise, the canvas for my own scratching. I savored the hour, allowing my prepared piece room for flair and spontaneity. I tucked in my chair and shook on my blazer with a knowing smile. My piece was irresistible to the emotions. I hoped the teachers marking it would see an internal darkness that was a stark contrast to the pretty faced catholic girl. That they saw the alluring darkness I had succumbed to. The voice I had finally grown into. Or the voice that had become me. 

Weeks later I was called into the english department. The cream coloured interior and neatly organised green and peach pink folders lining the walls became all too overwhelming as I saw my familiar scrawl on the answer booklet on the desk. Such a tainting, my paper was to the blissful world of the head english co-ordinator's office. Her sing song voice asked me for the original transcript of my work and I handed it over. Feeling self-gratification. Then horror. My peers would see. There would be two readers, those that acknowledge the art and execution of the assessment, the second would see a connection to the reader. The blurring of self compelled authorship to a pupil fulfilling assessment criteria. I began to imagine my work with distaste, cringing at the idea of it being seen. I lived the last few week of year 10 on edge. 

Something snapped in my final Geography class of the year. I asked to excuse myself and walked stifly to the door and before I coulc close it properly my eyes betrayed me. Openly sheading tears to curious eyes before I firmly shut the door. I let my restrain go. Walking to the bathroom feeling a hollowness yawn in the pit of my gut. I almost ran into a private tour run by a junior student. She was about in year 8 with a perfect ponytail I've seen down during lunchtime, tailed by a mother and year 6 girl. I walked determinly past making no effort to clean up my swollen eyes. I made it to the bathroom, I look to the mirror and moaned at the red faced moon face staring back. 
I was actually embarrassed. 
Usually I was good at bottling up my most extreme thoughts.
I had trained my face often and with such precision that sometimes I swear I can fool myself. 
I kick open one of the dodgy stall doors and kick once again when I was inside. The wood of the door wedges itself with the sides of the frame. I am momentarily annoyed that I may not be able to get out with the same ease as getting in. But before I could allow it a second thought I'm crouching down adn holding my head on the cool walls of the bathroom. The cheap marble blurring with the proximities of my eyes and the vision distorting wall of tears. I hit the marble with a fist, but not hard enough to break the flesh but to feel the solidity resonate through my wrist causing a dull ache. I let the tears run hot and furiously feeling the liberation with every squint until I realised I was forcing tears. I unfold my tunic that costed more than I should and yanked open the door after hearing another stall flush and the sink run. I walk back to class. 

Within the next weeks, my work didn't rear its ugly head again and something I once dreamed of having recognition for became something I wanted buried and under an unmarked grave. It was not until the following year that it did. In the school annual magazine. I began reading it like a stranger, forgetting the words I had produced in my previous year. I realised a quarter in that it had come back. I was not dismayed as I would have felt before. I had matured and grown into the expectations of the next year. My constructed maturity did not protect me from the multitude of flaws I found. Flaw. Flaw. Flaw. Further on in my life I finally came up with the words to alleviate its continuing weight in my head. 


That is the great curse of the artist, that they shall not see half the beauty that they have wrought, instead they only see flaw, weakness dragging them to an early artistic grave. 


Nothing remarkable happened that year. My writing was restrained. I did not dig further into myself for assessments. I played the game. I played it too well. I knew what got the marks and that was the Dramatic. Which was sad because the smaller things amount to the bigger I finally realised with the dawning of my final year. I began a course that would see me presenting a creative writing piece. I was sixteen beginning the course. I had come to the vice of writers old. I drank deeply when I wrote. And edited profusely by the next morning. It made for long nights but peaceful sleeps. I was when I reawakened that side of me again. It was the light again. But was constantly denied by my harsh teacher. I was so angry at my rejection one time that on my way home I was plotting my next hand in. In my mind I formulated the beginnings of a (proverbial) grenade. That night I worked to the next morn. I felt nothing but the desire to illicit emotions from an unyielding teacher. I sent it through at 3 am. I met her again to discuss. She told me she wept. I felt good. It validated my power over the emotions. But that sound too crude if not obnoxious. I thought I was a puppeteer. I could make people feel something. Sometimes I went too far, taking my horizons from the edge of my lined notebook. But I am unapologetic for the person I have become. I am proud that I have denied some pathways and taken to others. I did not take the easy avenue often, sometimes inadvertably drawn to the steeper incline. 

Fast forward from the girl that tried too hard, and forced her hand to create words, past the girl making her teacher cry when she herself could not cry from her own words, to the proud and pretentious girl who thought she could play around with emotions, who naively though she could go about doing not realising she was forfeiting her own capacity to feel in the process. I cannot deny that there were some who got away, crushing heartbreaks, missed opportunities, playful flirtation, foul plays and denied lovers. I look at them in the light of good writing material. Something that matured my own writing voice. Fulfilled the destiny that my younger self had intended. Too young then to realise that I could lose myself in the process. I mourn the years of empty words. I hope for mindless prose and feeling for the future. 

But I will not let myself be given away too easily. 


Though the future is a blurring manifest of our decisions today, I know this to me true. 

Where For Art Thou Saddness

The feeling of sadness filled a majority of my young adulthood, but instead of trying to get rid of it, I found an inherent appreciation for it. I would pick at it like a scab watching my efforts translate to flowing red ink. Art. Words. Prose that was ugly, and godless. Images that described fields of heaven, and crystal waters. 

I had my hours of other emotions but feeling sad was my art. Something I savored, wallowed and drank deeply like a pilgrim. 

The sadness itself, became Sadness. 


It became unto itself. It came to me like a dark hound when I opened the door. A door home. Like when it was out of mind for a period, innately I was preparing to greet it again. But sometimes I would anticipate it and walk willingly to it. Yearn it. The feeling of happiness meaningless without it. 

It would be like coming home to a lover you left on the lounge the night before. All tiredness of the day of work dissociates from your weary bones and you resume your position beside him. The impression of your body and your head still on the cushions, your body heat too. Like you only left for a glass of water and your back. He pulls you in closer, his eyes don't open because he knows you would always come back to him. You stare and stare at the tragically beautiful face. A face you see in everything. A relationship you keep secret, it's sanity yours and his, something people may look upon with pity.
A love that consumed and stole you away from people who love you. They can't help it if what they thought was broken, was in fact stronger than it ever was. 
Self-conscious out the window. 
I courted sadness. 
It could not hurt me. 
Its dividend's sustained me. 

They would called a woman in a flowing white blouse and crisp manicure to probe me lying on a chaise. The creme ceiling seemed to yawn at my face, another day another young girl. One with problems fitting in, half-hearted suicide intentions, boy problems. It was so wrong. In fact, I was quite popular among my age. I had the brains, words and the inherited beauty of my mother and certain a ruggedness from my father that became me. The unyielding leather grazing the exposed small of my back where my shirt was caught numbed me. And I pick through my words carefully. Let her psychoanalyse the fuck out of them. I stopping mid-sentence with a delicate finger on my lips like I was contemplating not scheming. Widening my eyes and giggling seems to make her happy. By the hour she has becoming a bobble head. 

Let them all think I'm cured. 


Pretend that I was sick, fraying, malfunctioning, broken in the first place.
Let my parents whisper at the number of zeros appearing on the medical bills. "It was worth it." Please let my plaster smile comfort my parents, fool strangers and calm my friends. 


Sadness is my muse. 
He lets the words flow easy, take on a lyrical form like a songbird's call. 
It is a perverted joy. 
He stays my hand from drugs and alcohol. 
She doesn't need substance when she is already high he murmurs from sensual lips. His breath dancing around me. 
I nod and smile, turning from the bar and to the dance floor where I see snippets of my friends through the agitated crowd of bodies. Sliding, pulling, pulsing, grabbing, desperately denying the corporal under strobe lights. I watch and sip my water. Smiling faintly to myself. They know no depth, they do not accept the phenomena and beauty that is death. There is mind on the same spectrum as mine. There is only a desire for the physical I observe. Skin on skin fills my vision. I turn to refill my glass, longing for a quench for my insatiable taste of all emotions, a personal preference of a brew of melancholy. 

I met Joy the other day over brunch. I didn't know who I had rendezvoused with. Not until recognized a familiar light that resided in the apple of her eye. Something I lost- no, stored away in a corner of my draws only pulling it out for special events like my formal and holidays. I'm minutely worried it will run out soon and I will be left trying hide this darkness incongruous on a youthful face. 
This kind of light does not keep well in the dankness of wooden pine. I am an awful host.





#1

TESTING